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Our Western culture, shaped by the myth of Ulysses, has always seen the traveler as a figure both strong and determined to leave, yet deeply in need of peace and home.
And if travelers have always existed, so too have those who welcomed them.

«accògliere»

[lat. *accollĭgĕre, comp. di ad- e collĭgĕre «cogliere, raccogliere»] 

To receive, and particularly to receive into one’s home, admit into one’s group, temporarily or permanently; especially with regard to the manner, feeling, and manifestations with which one receives

CARNE DA MACELLO

personal research – photography – video – exhibition

 

a one day exhibition in Targhetta Butcher’s shop, Castelfranco Veneto, September 2017
a one month exhibition in Cattedrale Ex Macello Padova, September 2018

In March 2017, twenty-one young men arrived in the small town of Castelfranco Veneto, in northeastern Italy — the town where I live. 

Many of them had crossed the Mediterranean Sea just a few days earlier.

They were hosted for a few days in a former boarding school, then expelled by the mayor, temporarily housed in some apartment buildings, then driven out by protesting residents. They were moved to gyms, crammed into military barracks, former B&Bs, makeshift shelters — entrusted to cooperatives founded just three days prior — transferred to Rome, to Trieste…

Since I met them, it felt natural to form a bond with some of them.

And to watch — often helplessly — the light in their eyes slowly fade.

MEAT FOR THE SLAUGHTER was born from this: from all the stories of non-welcome disguised as hospitality, which I wasn’t able to show or tell.

Together, using nothing more than a blank paper backdrop, we created a metaphor through play.

Asking ourselves:

“How human are we when we speak of hospitality?”